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Prosecution witness Billy Wilder
I'm not worried about the jury's verdict, but my own, personal

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In 1957, three paintings by Billy Wilder appeared on the watch's screen at once. If'Love while in the Afternoon'was completely evolutionary for his work, next the other two films were sort of experiments. I watched that great detective movie Witness with the Prosecution (1957) on #link# online for free in HD.


best movies reviews 'Witness for any Prosecution'can be an atypical film for Wilder's work. The adaptation of Agatha Christie became harmonious, stylish and consistent. This picture, perhaps, could be in comparison with'Double Insurance '.

We are again faced with all the theme of crime and marital fidelity. This story is beautifully played out by famous actors. Marlene Dietrich takes the conditional position of a femme fatale. Charles Lawton plays an attorney at law who really cares about justice. Though the role on the accused goes to Tyrone Power.

However, I can't concur with the various exclamation points with this film. This film would not take on Lumet's'12 Angry Men', also released in 1957, or two years later,' Anatomy of an Murder'by Preminger.

This is certainly just because that Wilder wasn't as resourceful as Lumet, who shocked us while using the'claustrophobic'of a legal court, and never as daring as Preminger, who demonstrated the actual insider of an lawyer. read movies reviews Wilder did what he is doing perfectly - he made a flawless, harmonious film - the adaptation.

It ought to be noted the excellent collection of actors, just perfectly go with the production. Dietrich, Lawton, Power complemented one, although for me they are very diverse actors. Dietrich is surely an actress who is in the cisco kid of her own image, Lawton is actually a chic actor with objective problems with weight problems, Power is a competent young actor that has squandered his talent in constant attempts to compete inside'time charisma'with Clark Geble. Main talent, which was Wilder, could combine these three.

Financial well being: Billy Wilder's legal drama. I believe, the film is actually a variation of'Double Bailout ', the intrigue ones unwinds inside the courtroom.


A very good demonstration of a rather loose interpretation of Agatha Christie's'Witness'by the truly great Billy Wilder. I involuntarily compared the versions with the voiceover translation and dubbing, which I saw as being a child. The words'kiss me, kitty!' , Which then plunged me into sacred awe, sounded differently in the voiceover. Then again there were a chance to hear Dietrich's voice, a cold German accent in their English speech. She was 56 years old in the time filming, a similar age as Lawton, it is merely impossible to consentrate in it.

A straight spine, squeamishly curved corners from the mouth, a narrow waist and easily unmatched legs, and a few minutes later the apotheosis of vulgarity is actually a hunched-over stop drunkard.

And the secret with this monochrome classic is definitely the inimitable Dietrich - Christina Helm-Vohl.

The highlight with the film is the episode with your ex bitter singing in fallen Hamburg.