Billy Wilder - Prosecution Witness

Prosecution witness ... Oh, the title from the film is ambiguous, slippery, insidious and amazingly almost sarcastically truthful.

In my situation, Billy Wilder is actually a super-successful Hollywood director of the era of the dominance of avant-garde art within the West, whose films certainly are a vivid example, in fact, with this avant-garde art. This avant-garde art itself is renowned for its challenges, manifestations directed against academic art, which the avant-garde artists could actually hunt down, to push into cellars in they will, the fact is, stood a place before. The halls of your academies were thrown open for a number of cans or car tires, which, like "installations", proudly pressed the classical still life, an array of "performances" mocking the classical solutions to composition. In fact avant-garde art, being accused by academics for a long time, simply, decisively and, generally speaking, even naturally took to the mission from the prosecutor, and those that were persecuted did start to persecute themselves, i believe, only confirming because of their temporary and imaginary success the illegality with this success and justice own bullying. I watched that great detective movie Witness to the Prosecution (1957) on #link# online with free streaming in HD.

“Tend not to judge, but do not be judged,” says the Bible, and this is partly true for many who were spoiled by way of the familiarity with classical art, its canons, zealous supporters of academicism while in the West from the core last century have been suddenly persecuted by young people. But ... all the same it would have been a lie considering that the classics are incorruptible with no one remembers the garbage in the avant-garde. But at that time (oh, yes!) The avant-garde was exhibited in palaces, designed for itself palaces-museums of colossal cost.

A vital feature in the avant-garde was the "multi-storey", sophisticated lie of accusing classical art coming from all imaginable and inconceivable sins (which is partly true, as there is really something predatory within the contemplation of dramas) and Billy Wilder, who looks like a fish in water in this particular mainstream atmosphere, presents us an example, an allegory of her time in the picture of Marlene Dietrich - a person known to get it mildly non-standard (read: avant-garde) of her behavior within private life and on stage.

https://pastebin.pl/view/22bdc015 So, the image of a desperate and deceitful person presented inside the film rather than without a form of heroism is usually an image typical for that point connected with an intellectual woman who builds a crooked smile at the sight of the statue of Venus de Milo and makes statements about her shortcomings and that she (for example, an American girl) "Harder", "more decent", etc., etc., etc., and customarily different.

And the truth is this film by Billy Wilder is really "different" because, by way of example, who's heroizes lies, that's certainly unacceptable to get a "canonical" person! But such was the era when everyone united lied that they are superior to Sophocles, Moliere, they were “bored” as well as “disgusting” to imitate the geniuses of the past; innocent. new movies reviews Of course it was obviously a lie - hysterical, "multi-storey", desperate because the performance with the Prosecution Witness, performed by one of many avant-garde queens - Marlene Dietrich.

There's no doubt that Billy Wilder saw the essence of your era really extraordinary and, I must say, talented script for his film, realizing it or not.

Those were the times - everyone desperately lied and lingered until ... postmodernism, a time by which classical art was fully restored to its reputation.

The heroine of the film is actually a desperate liar whose place is within a comedy, but the avant-garde artist Wilder sees her in the tragic role - an innovation usual for today of total lies, an era of muddy waters wherein outlandish fish like Marlene Dietrich were found - strangely organic in the role from the witness for any prosecution made available to us, damn unnatural creatures.